Antique 17-18th Century Spanish Colonial Polychrome Wood Crucifix Cross Santos
This is an antique, museum-quality, Spanish Colonial polychrome wood crucifix from the 17th to early 18th century. The cross is designed in a typical 17th-century style. The figure of Christ is well-carved and polychrome with gild highlights. He wears a windswept perizonium tied at the waist and a thorn-crowned head adorned by a sunray aureole behind it. Beneath the statue of Christ stands a beautifully carved and polychromed figure of the Virgin Mary on a pedestal. She holds her hands in adoration, wears a large robe-tunic, and has a large sunray halo around her head.
NOTE: Religious art, such as crosses, figures, and paintings, played a vital role in the spread of the Catholic Church to the New World through Spanish colonists. These artworks also served as a link to the Old World for Spanish colonists who were far from home. They became a folk art tradition in the Spanish New World, spanning from modern-day Peru to as far north as California, Colorado, and New Mexico. Many of these artworks were carefully maintained over the years, with repairs and paint added as they aged. They played an important role in the religious life of their communities for a long time.
DIMENSIONS: 36.5 cm x 17 cm (14.37 inches x 6.69 inches).
CONDITION: Show signs of age and wear with exceptional dark patina. Some flaking in the polychrome is also present, which is common in items that are over 250 years old.
Two small holes were drilled on top of Christ's head specifically to attach the silver crown that once adorned the figure. Additionally, a hole was drilled in the plinth, which was a later addition and used to mount the cross on the wall.
Please view all the photos as they are part of the description to help you determine the age, condition, and authenticity.
The crucifix, adorned with gold gilding and polychrome, has accumulated a dark patina over the centuries due to the smoke from burning candles that lit the house and those placed next to the cross to pay homage to the Holy Cross.
To better highlight the details of the crucifix, the pictures were taken under studio lighting. However, in natural daylight without studio lighting, the crucifix appears darker and without glare, as can be seen in the photos.